An essay(with outline)on the novel by Caroline Knapp...

Thesis: Drinking: A Love Story by Caroline Knapp is a story of one woman s struggle with alcoholism. She discusses the possible link between heredity and alcoholism, how she is effected by alcohol and how her life becomes uncontrollable as a result. I. Introduction to drinking A. Her family B. How it makes her feel 1. Social reasons 2. Avoidance of self-awareness 3. Physical Symptoms II. What is an alcoholic? A. Skid row bum B. High functioning alcoholic III. Is heredity a factor? A. Her father B. Other families IV. Discomfort + drink = no discomfort A. Social situations V. Public vs. private drinking A. No holds barred drinking B. Maintaining the faà §ade VI. Denial A. The rules B. Young, professional, female C.†¦show more content†¦When an alcoholic is alone, the drinking can be done the way he/she wants to do it, with no holds barred and no one watching or judging. Public drinking and the simple matter of the purchase of alcohol are laborious issues for the alcoholic. Caroline points out that she could not visit the same liquor store too often, because the clerk behind the counter might begin to suspect she had a drinking problem. If the alcoholic goes to a restaurant just for a drink, she must order food as well, so no one will guess that 2 all she really wanted was the drink. It is a full time job--keeping the secret. Alcoholics obsess about when they will drink, how much they will drink and what they will drink, while projecting the image of everything s fine...no problem here. Denial is what keeps the alcoholic drinking. The author says all alcoholics have rules. An alcoholic considers him or herself just a normal person who just likes to drink, until they break a rule. For example, one rule may be that unless he/she drives a car with a drink in their hand, they do not have a problem. Once a person breaks that rule, he/she can change it to something else, i.e. killing someone while driving home drunk. Caroline Knapp says that even when she started to think she had a problem with drinking, there was always an excuse: young, professional female...of course she needed that drink. Think of all the pressure she was under! Who could blame her?

Annual School Day Free Essays

List of Indian Classical Music Book Book Title| Author| Publisher| Description| Abhinav Geet Manusha (3 volumes)| Pt. S N Ratanjankar| | | Abhinav Geetanjali| Pt. Ramashreya Jha| | | Acharya Tanarang Ki Bandishen| Acharya V. We will write a custom essay sample on Annual School Day or any similar topic only for you Order Now G. Ringe (Tanarang)| | | Anup Rag Vilas| Pt. Kumar Gandharva| | Bandishes composed and sung by the author, most available on cassettes. | Bandish/Upaja| Mahammad Husen Khan| | Collection of bandishes composed by the author. | Bhartiya Sangeet Mala| Mirasha Bua| | Collection of traditional bandishes from Gwalior gharana. Bhavrang Lahari| Pt. Balwantrai Bhatt| | Collecton of Bandishes composed by Balwantrai Bhatt. | Dhrupad Dhamar Gayan| Rajabhayya Punchhawale| | Collection of traditional Dhrupad Dhamar bandishs. | Dinarang| Pt. Dinkar Kaikini| | | Geet Manjiri| Pt. Vinaychandra Moudgalya| | | Hindustani Khayal Gayaki| Mirashi Bua| | Collection of Khayals with notations of full improvisation. | Hindustani Sangeet Paddhati| Pt. Vishnu Narayan Bhatkhande| | | Jivi Jivai (Golden Voice Golden Years)| Pt. Jasraj| | Bandishes with notations composed by the author. Mai Jaisa Bhi Hun| Balasaheb Punchhawale| | Collecton of bandishes composed by the author. | Mukkam Vashi| Pt. Kumar Gandharva| | | Pranav Bharati| Pt. Omkarnath Thakur| | | Raag Bodh| Prof. B. R. Deodhar| | Collection of traditional compositions. | Raag Darshan| Pt. Manikbuwa Thakurdas| | Collection of Bandishes| Raag Rachananjali| Ashwini Bhide-Deshpande| | Bandishes composed and sung by the author. | Raag Sangraha| Lt. Master Krishnarao| | Collection of traditional compositions taught by Bhaskarbuwa Bakhle. | Raag Sarita| Pt. C R Vyas| | | Raag Vigyan| Pt. V R Patwardhan| | | Rajabhayya Punchhawale Swaranga Darshan| Balasaheb Punchhawale| | Collection of bandishs from repertoire of Pt. Rajabhayya. | Rasa Gunjan| Pt. Birju Maharaj| | | Rasaraaj| Pt. P N Barve| | | Sangeet Kala Prakash| Pt. Ramkrishna Vaze| | Collection of bandishs from repertoire of Pt. Vaze buwa| Swarangini| Dr. Prabha Atre| | Collecton of bandishes composed by the author. | Thumri Parichay| Leela Karwal| | | Thumri Tarangini| Rajabhayya Punchhawale| | Collection of traditional thumris. * A Discography of Hindustani and Karnatic Music. by Michael S. Kinnear / Hardcover / Published 1985 Price: $79. 50 * The Life of Music in North India : The Organization of an Artistic Tradition  by Daniel M. Neuman / Paperback / Published 1990 Price: $25. 00 * Bismillah Khan and Benaras, the Seat of Shehnai  by Rita Ganguly / Hardcover / Published 1994 Price: $30. 00  (Special Order) * Broadcasting : New Patron of Hindustani Music  by B. N. Goswam i / Hardcover / Published 1996 Price: $30. 0  (Special Order) * The Classical Music of North India : The Music of the Baba Allauddin Gharana As Taught Byali Akbar Khan/Volume One : The First Years’ Study  by Ruckert / Paperback / Published 1991 Price: $59. 95   * An Introduction To Hindustani Music  by Arati Chakravarty / Hardcover / Published 1999 Price: $24. 00  (Special Order) * Keywords and Concepts : Hindustani Classical Music  by Ashok Da. Ranade / Hardcover / Published 1990 Price: $26. 00  (Special Order) * Penguin Dictionary of Indian Classical Music  by Raghava R. Menon / Paperback / Published 1995 Price: $9. 0  (Special Order) * Between two tanpuras  by Vaamana Harai Deasapaaonode   * Hindustani sangeet paddhati : Bhatkhande kramik pustak  by Vishnu Narayan Bhatkhande * Indian music in performance : a practical introduction  by Neil Sorrell * Indian musical traditions : an aesthetic study of the gharanas in Hindustani music  by Vaamana Ha rai Deasapaaonode * Islamic Contributions to South Asia’s Classical Music  by Mobarak Hossain Khan * Musicians of India : past and present gharanas of Hindustani music and genealogies  by Amala Daaasaasarmaa * Pillars of Hindusthani Music  by B. R. Deodhar, Ram Deshmukh (Translator) * The Ragas of North India  by Walter Kaufmann * The Rags of North Indian Music : Their Structure and Evolution  by Nazir Ali Jairazbhoy * Some immortals of Hindustani music  by Susheela Misra How to cite Annual School Day, Papers

Generally speaking there are certain constants one Essay Example For Students

Generally speaking there are certain constants one Essay can expect form a noir film. Typically a noir film has a plot which depicts the dark and inhumane side of human nature with cynicism, and with emphasis on the brutal, unhealthy, shadowy, dark and sadistic sides of the human experience. In a film like Chinatown (1974), a modern-day film noirthriller, the criteria of the dark side of society is fulfilled by Jakes investigation of the deceiving world of high crime. Through hard-boiled character of Jake Gittes the audience is shown the facade that hides what is sinister and the corrupt in bleak world of noir. Nevertheless this dark element in the film contributes to a greater metaphoric symbol of noirs social comment about the malaises of society. Aside form the unsettling mood of alienation, disillusionment, disenchantment, and pessimism in the world of Chinatown. It shares great likeness with other classic noir films through its characters, particularly with its anti-hero, Jake Gittes and the enigmatic heroine Evelyn Mulray. In film noir, men serve the purpose of the oedipal struggle between the son and individual against forces outside the realm of his control. The character of Jake reluctantly takes on this struggle as the leading male protagonist. Throughout the film Jakes investigation of the story, he uncovers secrets under many layers of coverups, and deception. In unraveling complicated facts, he is deliberately audacious and over confident in deriving explanations for the deeply flowing corruption he unearths. Moreover this is his undoing, compromising his approach to the case he has in turn offset the balance between the good and the evil in the noir scenario, by he himself being apart of the corrupt and indifferent in the noir world. Jakes flaws are meant to coincide with the dark world of the noir. He is the anti-hero with a tarnished past history. Although the film does not elaborate on the details about the tragedy that occurred in his past, it is clear that Jake had been affected deeply and it was the result of the whole attitude of indifference about every thing in Chinatown at the time. In Chinatown no one ever cared or did anything. As a result, Jake is more keen to corruption and the power of money than to the more immediately detrimental corruption of morals by Noah to his daughter Evelyn. Despite Jakes failed attempt to uncover the mystery by himself, he is still given the chance to help right the wrongs of the noir world by helping the victimized Evelyn and her daughter Katherine escape the dark influence of the villainous father Noah. To Jakes dismay the child is not a vision of pureness, but an inbred offspring of immorality and lies. Eventually Jake reasoned that this was an opportunity for a new beginning, at least for those most affected by this world. Everyone has an afflicted past and a dark secret. This was his chance to bury the darkness for both himself and the child. But in the end, hes unable to break free from the constraints of money and power. De gradation prevails and Jakes left to think about how his fate is again shut down by these evil forces. His masculine instincts to separate good from evil to save the good and punish the evil has failed him in the metaphoric real world of Chinatown by the films climax. Retrospectively, Gittes who is the protagonist of a modern-noir film is an innovation on the classical male protagonist. He unlike other noir heros fails to defeat the dark side of the noir world, instead he loses his femme fatale brings tragedy to his good woman. .u373041dda76103f1d3f386fd8785f235 , .u373041dda76103f1d3f386fd8785f235 .postImageUrl , .u373041dda76103f1d3f386fd8785f235 .centered-text-area { min-height: 80px; position: relative; } .u373041dda76103f1d3f386fd8785f235 , .u373041dda76103f1d3f386fd8785f235:hover , .u373041dda76103f1d3f386fd8785f235:visited , .u373041dda76103f1d3f386fd8785f235:active { border:0!important; } .u373041dda76103f1d3f386fd8785f235 .clearfix:after { content: ""; display: table; clear: both; } .u373041dda76103f1d3f386fd8785f235 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u373041dda76103f1d3f386fd8785f235:active , .u373041dda76103f1d3f386fd8785f235:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u373041dda76103f1d3f386fd8785f235 .centered-text-area { width: 100%; position: relative ; } .u373041dda76103f1d3f386fd8785f235 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u373041dda76103f1d3f386fd8785f235 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u373041dda76103f1d3f386fd8785f235 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u373041dda76103f1d3f386fd8785f235:hover .ctaButton { background-color: #34495E!important; } .u373041dda76103f1d3f386fd8785f235 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u373041dda76103f1d3f386fd8785f235 .u373041dda76103f1d3f386fd8785f235-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u373041dda76103f1d3f386fd8785f235:after { content: ""; display: block; clear: both; } READ: A good man is hard to find 2 EssayConversely women in film noir serve to express skepticism toward the family and the values that it supports. With few exceptions, noir films divide women into two categories: the femme fatale, an independent, ambitious woman who feels confined within a marriage or a closed male-female relationship and attempts to break free, usually with violent results; the nurturing woman, who is often depicted as dull, featureless, and, in the end, unattainable. Character of Evelyn is one such variation on the female in film noir. She effectively starts out on the femme fatale side of the spectrum and ended up in the role of the good woman at the end of the film. In stark contrast to the visual and narrative representation of the family home is that of the femme fatale herself. An example of this being Evelyn at the beginning of the film. In her first encounter with Jake, she is able to govern her relationship with Jake. Moreover in the role of the femme fatale she exudes a unique sexuality, which she uses to her advantage to define herself and manipulate Jake in order to retain her independence from an oppressive patriarchal relationship. Her body, her actions, her words, and her ability to hold the cameras gaze create a highly charged sexual image that defies attempts by the men in her life and by the film itself to control her or return her to her proper role as a woman. In fact Evelyn fools Jake into thinking that she is a classic femme fatale who resorts to murder to free herself from an unbearable relationship with a man who would try to possess and abuse her, as if she were a piece of property or a pet. Furthermore a classi c femme fatale usually manipulates her man into murdering her oppressor. Evelyn however Evelyn had no such wish for the retribution of her suffering caused by Noah. Film noirs subversive view of family life and womens accepted role in society extends to its portrayal of the good or normal woman. The good woman embraces her traditional place in the family, but she is out of place in film noir. Such was the case with Evelyn when Jake coerced her into revealing the true nature of her relationship with the Katherine mystery girl. When she finally confesses that Katherine was in fact her daughter who was inbred, her true role as the good woman was finally exposed to Jake. As the good woman she offers the hero a chance to escape from the sexy, destructive femme fatale and the dangerous noir world. Nonetheless the good woman often proves to be a mirage that the hero cannot reach. Jake as a result of finding out the truth about Evelyns tragic circumstance find his affair with the femme fata le eclipsed by Evelyns transition to the good woman now accepting her role as the traditional motherly figure. The good woman is by no means the prescription for proper female behavior. However the lack of excitement offered by the safe woman is clearly contrasted with the sensual, passionate appeal of the other, with whom the detectives destruction seemed inevitable. In the role of the good woman she remains passive, nurturing, and nonthreatening. Ultimately, the world of the good woman and normal family values contrasts sharply with the dominant world of film noir in both visual style and narrative content, as if the cultural ideal of family life is a mere fantasy for the noir characters. In film noir, the American dream is indeed a dream. Chinatown unlike many of its precursors is a modern film noir. It earns its distinction from the other noir movies because it found room to innovate while still using past noirfilms as its template. Within the familiar backdrop of the dirty and corrupt noir world, the film brilliantly avoids cliches through the uses of Jake Gittes the anti-hero and Evelyn Mulray, who is best described as a hybrid of the femme fatal and the good woman. Even as she is killed of while trying to flee the noir world to become a good woman in the final reel, she lingers in the audiences imagination as a sexually exciting, sensual being who remained defiant to the bitter end against those who had tried to control her.